T H E P A S T I S A F O R E I G N C O U N T R Y | The Dock, Carrick-on-Shannon, 2019 | photos Paul McCarthy,
An austere, biting and effective response to the experience of war, forced migration, refugee camps caused by the war in Syria. ****Irish Times, Tue, Jun 25, 2019. Aidan Dunne
The Past is a Foreign Country hinges on an act of symbolic cruelty that helps to drive home its point and conveys something of the vehemence of feeling bound up in Anita Groener's approach to her subject matter. In The Lab's main gallery space, 20 spindly birch stems, arranged in a grid pattern, are suspended from above. They have been shorn of their branches, which have been reconfigured into lines of tenuous linkage between them. Their vestigial root balls hover uselessly above the floor.
Groener drew her title from LP Hartley's 1950s novel The Go Between, in which the title character recalls his uncomprehending role in a series of tragic events during his childhood at the beginning of the 2oth century. The installation, which began a tour of several venues at the Limerick City Gallery last year (and will conclude its tour at Uilinn in Skibbereen later in the year), is a response to the experience of war, forced migration, refugee camps, unremitting loss and suffering on the part of so many people, children and adults, mostly displaced by the war in Syria. Groener's thwarted, uprooted birches with their delicate, peeling bark, grotesquely set adrift, form a brutally effective symbol of human tragedy.
In the mezzanine gallery space, a series of drawing animations, Moments, is based on the testimonies of five children or those close to them, who became victims of Syria's war. The drawings are five miniature portraits. Groener collaborated with journalist Razan Ibraheem, who reported on the war and gathered the testimonies. The words, which are quietly devastating, are written onto the gallery walls by children at a local inner-city school. As Ibraheem writes: "I have watched mothers kissing the wounded head of their dead children to say goodbye ... I have witnessed children covered in blood and still asking for a lollipop.."
Entrance
The Past is a Foreign Country (2018), 18 birch trees, twine, paper, paint, 300x500x200cm
The Past is a Foreign Country (2018), 18 birch trees, twine, paper, paint, 300x500x200cm
The Past is a Foreign Country (2018), 18 birch trees, twine, paper, paint, 300x500x200cm
Prolonged by a Hundred Shadows (2019), twigs, paper, paint, twine, 240cm diameter
Prolonged by a Hundred Shadows (2019), twigs, paper, paint, twine, 240cm diameter
Prolonged by a Hundred Shadows (2019), twigs, paper, paint, twine, 240cm diameter
Prolonged by a Hundred Shadows (2019), twigs, paper, paint, twine, 240cm diameter
Moments (2018), 5 channel video installation, dimensions variable
Installation shot of drawings
